Hand-crafted
Bandipur – Avalokiteshvara Statue
Avalokiteshvara, the bodhisattva of compassion, in gilded brass.
- 12 inches: sized for an altar, not a shelf
- Known elsewhere as Guanyin and as Chenrezig
- Gilding is thin and wears where handled
- Heavy enough to need both hands
$599.90
Estimated delivery:
Free shipping on US orders over $180 · 30-day returns
Made of something that ages
Metal takes a patina, wood darkens with handling. Both keep changing after you have bought them, which is the one thing resin never does.
Named on every page
Shakyamuni, Maitreya, Avalokiteshvara: the posture and the hands are what tell them apart. We name the figure so you choose the one that means something to you.
Small is not lesser
Scale has never been what makes one of these worth having. The smallest here sit on a working desk without crowding it.
Frequently asked questions
What does Avalokiteshvara represent?
Compassion - the bodhisattva who hears the cries of the world. The figure appears across the whole of Buddhist Asia under different names, including Guanyin in China.
Why is Avalokiteshvara sometimes shown with many heads and arms?
The eleven heads and thousand arms are read as the capacity to perceive suffering in every direction and to act on it. It is a statement about attention, expressed in form.
Is Avalokiteshvara the same as the Dalai Lama?
Not the same, though the Dalai Lamas are traditionally regarded as emanations of Avalokiteshvara. The figure long predates the institution.
How should a gilded figure be cared for?
Dust it dry, and handle it as little as possible - gilding is thin and wears at the high points first. No polish or metal cleaner.
Where a figure sits
The conventions are simple and widely shared: raised rather than on the floor, out of a bathroom, and the head is not handled or displayed on its own. Beyond that it is your decision. We give you the conventions because they are easy to miss, not to tell you what your home should look like.

Cast, then finished by hand
These figures are cast in bronze or copper alloy, then chased, gilded and set with turquoise and coral by hand. The stones sit in cut recesses rather than being glued to the surface. Gilding is thin by nature and wears at the places a figure is touched, which is why old pieces are brightest where nobody reaches.














