Hand-hammered
Tamor – Hand Hammered Singing Bowl
A hand-worked bowl, carved and hammered on the outside, so each one differs a little from the next.
- Hand-hammered: the facets stay visible
- Struck, or run around the rim
- 5 inches, held in one hand
- Copper alloy, heavy for its size
Price range: $11.44 through $63.34
Estimated delivery:
Free shipping on US orders over $180 · 30-day returns
It travels
Metal takes a knock. A hammered bowl goes in a bag to a class, a retreat or a friend's floor, which is not a trip you would ask of quartz.
Struck, or sung
A strike gives one note and a long decay. Running the mallet around the rim brings the same bowl up and holds it there. One object, two ways to play.
No two voices
Hammered bowls are not identical and neither are their notes. We would rather tell you that than pretend one bowl stands in for the next.
Frequently asked questions
What are metal singing bowls made of?
An alloy of copper with other metals - the composition varies between workshops and is rarely documented precisely. Claims about a fixed set of seven metals are traditional rather than verified.
How do I know whether a bowl is hand-hammered?
The marks. A hand-worked bowl carries visible hammer facets over the whole outer surface and is never perfectly regular. A spun or cast bowl is smooth and symmetrical.
How is it played?
Struck with a mallet for a single note, or run around the rim with steady pressure for a continuous tone. The bowl must sit on a cushion - a hard surface damps it.
Can children use one?
There is nothing dangerous about a bowl and a mallet. Bear in mind that a struck bowl is louder than people expect at close range.
Hammering leaves marks, and it should
A hand-hammered bowl carries the facets of the tool that shaped it, in rings around the body. They catch the light unevenly and they are not identical from one bowl to the next. A perfectly smooth, perfectly regular bowl has been spun or cast rather than hammered - a different object, not a better one.

A bowl needs a cushion
Metal stops ringing wherever it touches something solid. Set a bowl on a bare table and most of the sound dies in the first second; set it on its cushion and the tone opens out and holds. It is the cheapest thing you can do for a bowl, and it changes more than any technique.











