Hand-crafted
Gorkha – Small Buddha Statue
A Buddha figure in copper with a golden finish, for an altar or a shelf.
- Fits a working desk without crowding it
- Kept raised rather than on the floor
- Copper, so it holds its place
- A small figure is not a lesser one
$259.90
Estimated delivery:
Free shipping on US orders over $180 · 30-day returns
Made of something that ages
Metal takes a patina, wood darkens with handling. Both keep changing after you have bought them, which is the one thing resin never does.
Named on every page
Shakyamuni, Maitreya, Avalokiteshvara: the posture and the hands are what tell them apart. We name the figure so you choose the one that means something to you.
Small is not lesser
Scale has never been what makes one of these worth having. The smallest here sit on a working desk without crowding it.
Frequently asked questions
Is it okay to have a Buddha statue at home?
Many people do. The usual guidance concerns placement rather than permission: raised rather than on the floor, and not in a bathroom.
Where should a small figure be placed?
Anywhere it sits at or above eye level when you are seated - a shelf, a desk, a windowsill. Small figures suit a working space better than an altar, which tends to want something larger.
Can someone of another faith keep one?
Yes. Many people who are not Buddhist keep a figure for what it represents. The same courtesies of placement apply.
Is a small figure a lesser one?
No. Scale has never been what makes one of these worth having, and a small figure you actually see every day does more than a large one in a corridor.
Where a figure sits
The conventions are simple and widely shared: raised rather than on the floor, out of a bathroom, and the head is not handled or displayed on its own. Beyond that it is your decision. We give you the conventions because they are easy to miss, not to tell you what your home should look like.

Cast, then finished by hand
These figures are cast in bronze or copper alloy, then chased, gilded and set with turquoise and coral by hand. The stones sit in cut recesses rather than being glued to the surface. Gilding is thin by nature and wears at the places a figure is touched, which is why old pieces are brightest where nobody reaches.














