Hand-crafted
Patan – Ganesh Mask
A wall mask of Ganesha, carved in wood and inlaid with turquoise and coral.
- Made to hang: it has no base
- Hung near an entrance, as Ganesha is placed
- Turquoise and coral set in, not glued on
- Ganesha is invoked at beginnings
$450.99
Estimated delivery:
Free shipping on US orders over $180 · 30-day returns
Made of something that ages
Metal takes a patina, wood darkens with handling. Both keep changing after you have bought them, which is the one thing resin never does.
Named on every page
Shakyamuni, Maitreya, Avalokiteshvara: the posture and the hands are what tell them apart. We name the figure so you choose the one that means something to you.
Small is not lesser
Scale has never been what makes one of these worth having. The smallest here sit on a working desk without crowding it.
Frequently asked questions
What does a Ganesha mask represent?
Ganesha is the remover of obstacles, invoked at beginnings - a journey, a project, a move. As a wall mask rather than a seated figure, it is generally hung where one passes.
Which way should it face?
The common convention is to hang it facing into the room rather than out of it, and often near an entrance. Practices vary between households and regions.
Is this a devotional object or a decorative one?
That depends entirely on you. It is made in a devotional register, and many people keep one simply for what it represents. Both are ordinary.
How should a wood and resin mask be cared for?
Dust it dry and keep it out of direct sun. Inlaid stones are set, not glued flat, so avoid water and cleaning products.
Where a figure sits
The conventions are simple and widely shared: raised rather than on the floor, out of a bathroom, and the head is not handled or displayed on its own. Beyond that it is your decision. We give you the conventions because they are easy to miss, not to tell you what your home should look like.

Cast, then finished by hand
These figures are cast in bronze or copper alloy, then chased, gilded and set with turquoise and coral by hand. The stones sit in cut recesses rather than being glued to the surface. Gilding is thin by nature and wears at the places a figure is touched, which is why old pieces are brightest where nobody reaches.
















